Here are the promised exterior elevations/views of the house (for the most part). Check them out and let me know your thoughts.
The overall design of the house is very much driven by simplicity, taking a simple geometric form and manipulating it through a set of moves. As a result, the exterior design strategy reflects this same language and responds to this same strategy.
As mentioned in the previous post, the design of the house inherently becomes very linear in nature, due to the narrowness of the lot. As a result, the exterior material strategy responds to this condition, reacting to the linear nature while also reinforcing it in certain ways.
The material palette is limited, reflecting the minimal nature of the house. The materials currently being explored include: metal, fiber cement, wood, and perforated metal.
The primary exterior cladding is a vertical metal panel. The vertical nature of the panel responds to the linear condition of the house, not necessarily in opposition to it, but does serve to soften the length of the home and also provides a sense of verticality and scale to the house.
The secondary material is fiber cement lap siding and panel siding, a material very common in residential architecture. The horizontal nature of the lap siding serves as a strong contrast to the verticality of the metal, while still being subtle in nature, due to its dark color. The introduction of this material also serves as an opportunity to break down the exterior, providing moments of relieve from the primary cladding material and creating a sense of patterning on the facade. The panels give the sensation of the windows pushing down from above, up from below, or wrapping around the corner. This provides a sense of movement, activating the exterior.
The third material is wood. The introduction of wood at the recessed/carved out portions of the house serves to provide a sense of texture at the human scale. The wood is introduced at the recessed front entry and at the courtyard carved out between the garage and main house. These spaces are moments where the human scale is important, as they are moments of constant interaction and the wood provides that sense of warmth at these key moments where the user continuously interacts with the house.
The final material is a perforated metal. This metal serves as a sort of screen wall at the front entry. This entry is defined by the carving out of space, revealing the wood material, and the metal screen wall occupies the western edge of this entry porch. The perforations in the metal allow for a transparency through the space and a lightness to the space but still serve to define the front entry visually. Further, the perforations allow for the opportunity to use the material as a climbing surface, allowing vegetation to interact with the wall surface and also to soften this front entry.
I’ve been hard at work on the right plan for 955 Hosbrook. When you are dealing with any lot, you immediately look to the context and site constraints for influence. This lot is no different. The first thing you will notice is the size and scale of the plan. When dealing with a lot with a total width of 21′-6″, this absolutely becomes a driver for the design of the house.
Instead of approaching this width as a hindrance, the design for 955 embraces the concept of the narrow house, borrowing ideas from the shotgun house typology, a typology already in existence in Fountain Square. For those of you unfamiliar with the shotgun house, these are houses built primarily in the South following the Civil War and are characterized by their narrow width and minimal street frontage. They were designed for the working class, and are very small and modest in nature. Much of the reason for their narrow width is a result of taxation rules of the time, which were determined by amount of street frontage. Therefore, the narrower the house, the cheaper the taxes.
The name “shotgun house” is often thought to be derived from the notion that one could open all of the interior doors in the house and a shotgun could be fired from the front door through these doors and straight out the back door of the house. This concept is the initial driver for the design of 955, the concept of continuity from front to back. As a result, the dominate design feature in the house is focused around the creation of a continuous line of casework along the western interior wall of the house, on both the first and second floors. The continuity of this feature reinforces the idea of continuity from the front door through the house to the back door, creating a pathway cutting through the house, a visual continuity along this line.
Further, this casework acts as a sort of buffer between the house and the close proximity of the freeway to the west. The casework acts as an almost thickened wall, in a sense creating a sort of buffer zone, while still being punctured in moments to allow for daylight and views of the downtown skyline. This line of casework contains much of the functional components of the house. Key functions include:
Coat Closet: Adjacent to the front entry is a full height coat closet, addressing the entry sequence and need for storage.
Kitchen: Just beyond the coat closet and entry is the kitchen. In a small house where space is at a premium, it makes most sense in this scheme to combine the circulation pathways needed within a kitchen space with the circulation pathway needed to move through the house. The kitchen component contains all of the necessary cooking components, including a full height pantry cabinet. The refrigerator is located on the opposite wall under the stair to allow for this casework component to be streamlined, with minimal interruptions to its continuity.
TV/Entertainment: As you move toward the living space, the casework transitions into the casework serving the adjacent living space. This casework serves as the location for the entertainment components of the living space, including television, music, and associated storage.
Work Space: Beyond the living space at the emergence of the outdoor courtyard, the casework transitions into a work space, containing desktop space providing adequate work space for computers and associated necessary storage.
Mud: At the point where the casework terminates into the garage, drop off “mud” space exists to allow for coat and shoe storage as one enters from the garage.
Wardrobe Closet: The main bedroom on the second level contains a continuous run of wardrobe closet, providing adequate storage space for clothing, while still allowing for additional storage space or the option to incorporate a space for a television.
Laundry: A stackable washer/dryer element exists directly at the top of the stairs, providing direct access from the upstairs bedroom.
Books and Window Seat(s): In the corridor connection to the roof deck, the caswork becomes a sort of library space, with space for book storage and additional shelving space while also providing related window seats to sit up, read a book, and enjoy great views of downtown.
As this continuous line of casework is the conceptual framework for the house, the remainder of spaces connect from this circulation pathway, keeping interior spatial organizations simple and connected. You will notice the house occupies the majority of the site, from front to back and outdoor space is at a premium. As a result, the desire to still connect to the outdoors is one of much importance. The main living space directly flanks the outdoor courtyard, providing for an intimate green space and lots of natural light into the space. Additionally, the use of the single story garage allows to make up for the minimal ground floor outdoor space, providing a large second floor roof deck.
So, what do you guys think? As I’ve often stressed, the scale of house here is very important to me. This house is small, but serves the concept of living quite well. Let me know your thoughts. Elevations (exterior and interior) to come very soon…